Core Emotion and Primary Character Trait

In stories, the characters’ emotions are ultimately the sources of their actions, because motivations are ultimately based on emotions.

Determining the emotional core of a character in a story may lead to a clearer understanding of that character’s behaviour, i.e. their actions.

What we’re getting at here is essentially a premise for creating a story. We have noted that if you plonk a group of contrasting characters in a room – or story-world –, then a plot can emerge out of the arising conflicts of interest. If you’re designing a story, one approach is to create the contrasts between the characters (their essential differences of character) by giving each character a core trait or emotion. One character may be frivolous, another penny-pinching. One may be fearful, another cheeky.

You might object: Isn’t that a bit one-dimensional? Aren’t characters with just one core emotion flat?

Not necessarily. Focusing on one core emotion is not a cheap trick. It is as old as storytelling.

Classical Storytelling

Ancient(more…)