Want to see what a completed Beemgee project looks like?
Click one of the links below.
When the project opens, feel free to drag and drop or edit whatever you want – any changes you make will not be saved. It’s the perfect way to explore Beemgee functionality. Try the FILTER function, for instance, or the NARRATIVE-CHRONOLOGY switch. Go to the CHARACTER tool, mark your favourite character and hit SINGLE in the tool bar. Or read the STEP OUTLINE.
SEA BATTLES (Look closely, you might recognise this story!)
If you’re logged in to your PREMIUM account, you’ll see all the PREMIUM features, such as STORY QUESTIONS or the detail view of the STEP OUTLINE.
Also, disentangle the complex chronology of THE STAR WARS SAGA. Click the NARRATIVE-CHRONOLOGY switch to see the difference between the year of production and what happened when in the story.
Or read THE BEEMGEE STORY as a Beemgee project. Try opening the DESCRIPTIONs per event.
Are you fan enough?
How well do you know your favourite story? Doesn’t matter if it’s Homer or Harry Potter – turn it into a complete Beemgee outline and send us the project link to firstname.lastname@example.org. If we think you’re fan enough, we’ll feature your outline here, in our newsletter and on our social media channels. (more…)
The step outline is the scene by scene (step by step) account of what happens in the story.
Like a textual storyboard, the step outline presents the narrative in its entirety – without actually being the narrative. It is a complete report of the story – in the present tense! – that describes every plot event.
Cause and Effect
The step outline therefore makes one of the most important principles of storytelling very clear, cause and effect.
Apart from the kick-off event and the closing event, every plot event fulfils two functions, at least to an extent:
- It is a precondition of events that follow it in the narrative
- It is an inevitable consequence of events that have preceded it in the narrative
The step outline should make it easier to understand how the individual events relate to each other in this chain of cause and effect. The step outline may thus be read as the author’s construction plan of the narrative.(more…)
It’s the way you tell it.
Narrative is the choice of which events to relate and in what order to relate them – so it is a representation or specific manifestation of the story, rather than the story itself. The easy way to remember the difference between story and narrative is to reshuffle the order of events. A new event order means you have a new narrative of the same story.
Narrative turns story into information, or better, into knowledge for the recipient (the audience or reader). Narrative is therefore responsible for how the recipient perceives the story. The difficulty is that story, like truth, is an illusion created by narrative.
What does that mean?
First, let’s state some basics as we understand them here at Beemgee: a story consists of narrated events; events consist of actions carried out by characters; characters are motivated, they have reasons for the things they do; there is conflict involved; one and the same story may be told in different ways, that is, have varying narratives.
Note that we are talking here about narrative in the dramaturgical sense – not in the social sense. Like the term “storytelling”, the word “narrative” has become a bit of a buzzword. We are not referring here to open “social narratives” such as “the American narrative”. We are pinpointing the use of the term for storytellers creating novels, films, plays, and the like. These tend in their archetypal form to be closed narratives with a beginning, a middle, and an end.
A narrative may present the events of the story in linear, that is to say chronological order or not. But the story remains the story – even if it is told backwards.(more…)