Outlining a story means developing the characters and structuring the plot.
Beemgee will help you outline your plot using the principle of noting ideas for scenes or plot events on index cards and arranging them in a timeline. This is a separate process from actually writing the story. Most accomplished authors outline their stories before writing them, because it saves rewrites later.
Find a video here.
In this post we will explain –
The Beemge author tool is divided into three separate areas, PLOT, CHARACTER and STEP OUTLINE. You navigate them easily in the top menu.
Important note: Make sure to stay in the same browser window in whichever area you’re working. Having one project open in multiple windows may result in some of your input being lost.
How To Create An Event Card
Five years ago, three guys met at a notary’s office in a rather run-down part of Berlin.
They had decided to found a company, and on this day were making the declaration official – although they had no backing and no product. Why?
The circumstances of each of the three guys were quite different. One was employed, the other already ran his own business, the third had just left his job. Two were techies, one was the content guy, the one with the idea.
Looking back on it, what they had in common was the desire for a sense of purpose. Each of them wanted their working life to follow a vision, rather than a loop.
For let’s face it, most work is repetitive. You end up going through the same motions again and again, whatever they are.
But found your own company and you’re aiming at something. You’re pursuing a vision. You set yourselves goals, milestones. You have an ideal state you wish to achieve. And probably no idea what you’re letting yourself in for.
In short, when you found a company you become the protagonist in your own story. (more…)
It’s the way you tell it.
Narrative is the choice of which events to relate and in what order to relate them – so it is a representation or specific manifestation of the story, rather than the story itself. The easy way to remember the difference between story and narrative is to reshuffle the order of events. A new event order means you have a new narrative of the same story.
Narrative turns story into information, or better, into knowledge for the recipient (the audience or reader). Each story event is a unit of knowledge the audience requires.
A narrative is paradox, because it seeks to convey truth by hiding it. A storyteller arranges the items of knowledge in such a way that they are revealed gradually, which implies initially obscuring the truth behind what is told. Such deliberate authorial obfuscation creates a sense of mystery or tension, and creates a desire in the audience to find out what is happening in the story and why. In this sense, a narrative is effectively the opposite of an account or a report.
A report presents information in order to be understood by the audience immediately, as it is being related. A neutral, matter of fact presentation probably maintains a chronology of events. It explains a state of affairs blow by blow, and aims for maximum clarity at every stage. It seeks to convey truth by simply telling it. While the point of a narrative is also that the recipient perceives the truth of the story, in a narrative this truth is conveyed indirectly. Narrative is therefore responsible for how the recipient perceives the story.
In this article we’ll look at
- Story Basics
- The Components of Story
- Text Types That Describe A Story
- Author Choices: Genre and Point of View
- Causality in Narrative
First, let’s state some basics as we understand them here at Beemgee: a story consists of events that are related by a narrator; events consist of actions carried out by characters; characters are motivated, they have reasons for the things they do; there is conflict involved; one and the same story may be told in different ways, that is, have varying narratives.
Note that we are talking here about narrative in the dramaturgical sense – not in the social sense. Like the term “storytelling”, the word “narrative” has become a bit of a buzzword. We are not referring here to open “social narratives” such as “the American narrative”. We are pinpointing the use of the term primarily for storytellers creating novels, films, plays, and the like. Such works tend in their archetypal form to be closed narratives with a beginning, a middle, and an end.
A narrative may present the events of the story in linear, that is to say chronological order or not. But the story remains the story – even if it is told backwards.(more…)
Narrative is made of successive events. Not necessarily in the order they occurred.
Narrative is the order in which the author presents a story’s events to the recipient, i.e. the audience or reader. Chronology is the order of these events consecutively in time. Some people use terms from Russian Formalism, Syuzhet and Fabula, to make the distinction.
A chronology usually has less emotional impact than a narrative – essentially a chronology is recounting a report whereas a narrative is telling a story. In a chronology, the plot events are lined up in temporal sequence. You could say “and then” between each event. In a narrative, the emotional effect is closely related to the causality implied by the arrangement of the events. Between each event you could say, “because of that …”.
Narrative therefore carries with it the implication of understanding. The juxtaposition of events, for example, will create associations in the audience’ minds that lead to possibilities of interpretation. While a chronology may explain things, it is in itself inherently neutral. Narrative on the other hand is an arrangement that is usually consciously made by an author who intends something by the particular arrangement, and which, independently of author intention, is subject to interpretation by recipients.
While the convention in most storytelling is linear, i.e. to relate the story’s events consecutively in time (chronologically), we as audiences and storytellers are also very used to narratives that move certain events around. An event may be moved forward, meaning towards the beginning of the narrative, perhaps even to be used as a kick-off. Or possibly events may be withheld from the audience or reader and pushed towards the end, perhaps to create a reveal late in the narrative for a surprise effect – though this technique often feels cheap. Also, an author may use flashbacks to insert backstory events from the past, the past being all relevant events that take place before scene one in the narrative.
As authors, when we begin composing a story, we(more…)
Inventing a story that has no backstory is about as easy as finding a perfect rhyme for the word orange.
That is, next to impossible.
Backstory is the stuff that went on before the story begins, or more precisely, before the kick-off event in scene 1. As such, backstory might better be called “pre-story”. It is a necessary component of any story.
After all, the characters come from somewhere – they have pasts, they have histories. These histories have shaped them into who they are, which determines their actions now, in the time of the story. These actions are the source of the events of the story. So some part of the characters’ histories will be relevant to the story – and this bit of information or knowledge needs to be passed on to the audience or reader. That’s why so many stories have “campfire scenes”, a moment of calm usually near the beginning of the second half during which characters recount stories of their pasts to each other. (more…)