How does a publisher decide which manuscript to publish?
Nicole Boske heads the editorial team at Impress and Dark Diamonds, imprints of Carlsen Verlag.
Even as a child I tried to discover the magic behind the printed word, and I knew my dream job before I started studying German. I always wanted only one thing: to help great novels find a home – in the hearts of their readers.
In the summer of 2014, my wish became reality. Under the shining grey sky of Hamburg I started as an editor for Impress and Dark Diamonds, both imprints of the famous publishers Carlsen Verlag [German publisher of the Harry Potter books]. As programme manager, a position I assumed in December 2018, my responsibilities also include planning and finalizing the programme and ultimately deciding which novels will be published. A pleasure as well as a challenge. We can’t publish all the manuscripts submitted to us, even if there’s an enormous amount of passion behind every single one of them.
But how exactly do we make a programme?
Antje Tresp-Welte is the winner of the Your Perfect Plot challenge set by BoD and Beemgee.
In her guest blog post, she gives frank insight into her writing process and her experiences with Beemgee.
Short stories were child’s play
When something intrigues me, I spin a story out of it. Until a few years ago I wrote mostly fairy tales, short stories for adults, poetry and stories for younger children, some of which were published in magazines. My story about a bad-tempered spectacled snake was published as a little book, “Charlotte and the Blue Lurker”. For all these stories I only sketched a few thoughts as planning and then wrote them down relatively quickly.
By now, book projects fascinate me too. Currently they are crime novels and fantasy for children from 8 or 10 years.
Long takes longer …
During a holiday at the North Sea I had the idea for my first crime novel. In it, the protagonist, an eleven-year-old very imaginative boy with a penchant for drawing, not only saves his grandma’s tea room from demolition, but is also involved in a mysterious story about a pirate who died long ago. I developed the original idea into a plot at a seminar for authors. I found the topic so great that I couldn’t wait to start writing it. Beforehand, I made notes on the individual characters and considered important cornerstones of the plot with the help of the hero’s journey. I started off with a great momentum and was soon able to read the first chapters to my son. Unfortunately his comment was, “Mama, that is much too long!”
… not to be longwinded
My two test readers came to a similar conclusion and I too had noticed that it somehow “grated”. I wasn’t really getting to the point. Was it due to my preliminary planning? Was it not detailed enough? I dived into the text, shortened passages, removed individual characters and worked out others more precisely. This changed entire storylines. At the same time my story gained more (narrative) speed and I found the tone for the language. (more…)
The first novel to state in black and white that the author worked with Beemgee.
This is certainly not the first book for which our author tool was used. But it is the first time that an author explicitly mentions Beemgee in her acknowledgements. Thank you, Katharina, we’re glad you use Beemgee during your story development!
All The Rage – Der letzte Schrei
published by the renowned Piper Verlag (Bonnier group)
Susanne Pfeiffer has recently joined the Beemgee team. She interviewed her friend Katharina Gerwens for us.
Beemgee: Congratulations, Katharina! It’s always great when you can hold your own book in your hands … How many novels have you published so far?
Katharina: This is my eleventh regional thriller published by Piper. Soon I’ll make it a dozen ….
Beemgee: I think ALL THE RAGE is a really good thriller title! You like double meanings. – But I want to get at something completely different: You know my foible to start every book by reading the acknowledgements – and here it says, last but not least, you worked on the plot with BEEMGEE! How so?
Katharina: Because for me any support I get is worth mentioning! I have asked so many people in my field about all sorts of things, and in these conversations new aspects have always emerged – the least I can so is say thank you! ALL THE RAGE is, by the way, the first book in which I worked with Beemgee – and it was a great help to me. (more…)
“This one is outlining way better than any other story I’ve outlined. I’m going to assume this is in part due to using Beemgee. Best tool I’ve ever used.”
“Thank you for this awesome platform. I really enjoy working with it. … I really like beemgee because it makes writing complex stories a hell of a lot easier.”
“Your resource is amazing. What an amazing tool. I’m … now very much a fan of this new software. Although I write using Scrivener, I can see how I can do all my planning through Beemgee, and then slide everything into Scrivener.”
“It was exciting to discover Beemgee. It was like light at the end of the tunnel for me, a guide I so needed.”
“I am very impressed with what I have seen so far.”
“I’ve just started using Beemgee and I’m really enjoying the Character developer features …”
“You aim to have Beemgee ‘clutter free and easy to use’, which I very much appreciate. I like the character overview …”
“It’s a great tool.” (more…)
Blogposts and articles about Beemgee:
20.02.2019 | The Tempest (Autorenforum.de) | Autorenwissen: “Das Autorentool Beemgee – wirklich besser schreiben?” von Antje Tresp-Welte
27.07.2018 | The Writing Platform | Screenshots: Beemgee
25.05.2018 | Jessica Halermoeller, BoD Fingerprint | Schreibwettbewerb “Dein Perfekter Plot”
05.12.2017 | Neil MacDonald Author | I won, I won, I won
18.10.2017 | Suzanna Williams | Review: Beemgee novel outlining software
11.10.2017 | Renee Scattergood | Beemgee has saved me
05.10.2017 | Erika Frose | Are you a pantser or a plotter?
27.09.2017 | Kathy Edens | Writing App Reviews… Beemgee (more…)