“I am contemplating my 12th novel. I’m hopeful it will be my best because of the marvellous tools inside Beemgee.”
“Such great service. I’m enjoying exploring Beemgee. I love the ?. It provides so much valuable information, it’s like taking a graduate level class. You provide a great deal of helpful story development advice. I think I’m addicted.”
“Thanks again for all the work you invested to produce such a great story development tool.”
“A good tool to make a pantser plot!”
“I think your site is brilliant.”
“This one is outlining way better than any other story I’ve outlined. I’m going to assume this is in part due to using Beemgee. Best tool I’ve ever used.”
“Thank you for this awesome platform. I really enjoy working with it. … I really like beemgee because it makes writing complex stories a hell of a lot easier.”
“Your resource is amazing. What an amazing tool. I’m … now very much a fan of this new software. Although I write using Scrivener, I can see how I can do all my planning through Beemgee, and then slide everything into Scrivener.”
In the summer of 2015 in a run-down part of Berlin, three guys made their way to a notary.
They were in the process of founding the company Beemgee GmbH. There was no product yet, but they did share a conviction and a vision: to help writers and storytellers everywhere conceive, develop and outline their stories.
Today we are proud to celebrate five years of Beemgee with a whole host of new features. Premium users can now access a dozen new attributes in the PLOT and PITCH sections of the Beemgee story development tool.
> > NEW PLOT FEATURES
How ever you work, whichever is your favoured process, you can do it in Beemgee.
The additional plot attributes live now are:
- Hero’s Journey (new)
- Hero’s Journey (classic)
- Plot Beats
- Story Anatomy
- Audience’ Journey
Five years ago, three guys met at a notary’s office in a rather run-down part of Berlin.
They had decided to found a company, and on this day were making the declaration official – although they had no backing and no product. Why?
The circumstances of each of the three guys were quite different. One was employed, the other already ran his own business, the third had just left his job. Two were techies, one was the content guy, the one with the idea.
Looking back on it, what they had in common was the desire for a sense of purpose. Each of them wanted their working life to follow a vision, rather than a loop.
For let’s face it, most work is repetitive. You end up going through the same motions again and again, whatever they are.
But found your own company and you’re aiming at something. You’re pursuing a vision. You set yourselves goals, milestones. You have an ideal state you wish to achieve. And probably no idea what you’re letting yourself in for.
In short, when you found a company you become the protagonist in your own story. (more…)
Beemgee helps authors develop their narrative material. The founder explains the benefits to authors and publishers.
By Tom Tivnan.
Why a Picture Book Manuscript Always Benefits From Systematic Planning
by Vincent Teetsov
Residing at the crossroads between songwriting, picture books, and non-fiction with a cultural focus, Vincent Teetsov is a communicator with the ambitious goal of inspiring the world to innovate and live meaningfully through multimedia creations. Since 2013, he has released several music albums and books, relating to topics of history, language, and the passage of creativity through time. This has been particularly impacted by his time living across the United States, Italy, and the UK. Since 2015, he has collaborated with illustrator Laani Heinar in creating the children’s stories, comics, and songs for Pumpkin and Stretch.
You can follow Vincent’s latest activity on Instagram here: www.instagram.com/pumpkinandstretch/ and here: www.instagram.com/vincentteetsov/.
Squeezing 90,000 Words Into 1,000
Admittedly, there is less text in a picture book than you will find in a novel. In a picture book, printing specifications typically dictate that there should be 32 pages. This even number allows for the story’s pages to be folded up neatly into a single stack, called the ‘signature’. After printing, the signature is then cut and bound together. Novels have less specific requirements.
With these differences in length, sometimes outsiders to the process of writing will assume that creating a picture book is easier. This is compounded by the fact that most picture books are written for children and use simpler language. Actually, it’s even harder to get this language right than when writing for adults. (more…)
Antje Tresp-Welte is the winner of the Your Perfect Plot challenge set by BoD and Beemgee.
In her guest blog post, she gives frank insight into her writing process and her experiences with Beemgee.
Short stories were child’s play
When something intrigues me, I spin a story out of it. Until a few years ago I wrote mostly fairy tales, short stories for adults, poetry and stories for younger children, some of which were published in magazines. My story about a bad-tempered spectacled snake was published as a little book, “Charlotte and the Blue Lurker”. For all these stories I only sketched a few thoughts as planning and then wrote them down relatively quickly.
By now, book projects fascinate me too. Currently they are crime novels and fantasy for children from 8 or 10 years.
Long takes longer …
During a holiday at the North Sea I had the idea for my first crime novel. In it, the protagonist, an eleven-year-old very imaginative boy with a penchant for drawing, not only saves his grandma’s tea room from demolition, but is also involved in a mysterious story about a pirate who died long ago. I developed the original idea into a plot at a seminar for authors. I found the topic so great that I couldn’t wait to start writing it. Beforehand, I made notes on the individual characters and considered important cornerstones of the plot with the help of the hero’s journey. I started off with a great momentum and was soon able to read the first chapters to my son. Unfortunately his comment was, “Mama, that is much too long!”
… not to be longwinded
My two test readers came to a similar conclusion and I too had noticed that it somehow “grated”. I wasn’t really getting to the point. Was it due to my preliminary planning? Was it not detailed enough? I dived into the text, shortened passages, removed individual characters and worked out others more precisely. This changed entire storylines. At the same time my story gained more (narrative) speed and I found the tone for the language. (more…)
The first novel to state in black and white that the author worked with Beemgee.
This is certainly not the first book for which our author tool was used. But it is the first time that an author explicitly mentions Beemgee in her acknowledgements. Thank you, Katharina, we’re glad you use Beemgee during your story development!
All The Rage – Der letzte Schrei
published by the renowned Piper Verlag (Bonnier group)
Susanne Pfeiffer has recently joined the Beemgee team. She interviewed her friend Katharina Gerwens for us.
Beemgee: Congratulations, Katharina! It’s always great when you can hold your own book in your hands … How many novels have you published so far?
Katharina: This is my eleventh regional thriller published by Piper. Soon I’ll make it a dozen ….
Beemgee: I think ALL THE RAGE is a really good thriller title! You like double meanings. – But I want to get at something completely different: You know my foible to start every book by reading the acknowledgements – and here it says, last but not least, you worked on the plot with BEEMGEE! How so?
Katharina: Because for me any support I get is worth mentioning! I have asked so many people in my field about all sorts of things, and in these conversations new aspects have always emerged – the least I can so is say thank you! ALL THE RAGE is, by the way, the first book in which I worked with Beemgee – and it was a great help to me. (more…)
See what’s new and track the continuous improvement of the Beemgee storytelling tool in these release notes.
April: Updated system notifications | Improved logic in the global menu
December: Cork board style view of plot event cards | Color picker for plot event cards | Choose to show or hide id and sort order numbers on plot event cards | Improvement of the PDF plot export | Categorisation of the plot attributes into scene info, structure, and process related attributes
June: Improvement ALL STORIES functionality | Layout optimisation of PDF exports | Premium PLOT attributes Dramaturgy, Hero’s Journey (new), Hero’s Journey (classic), Plot Beats, Story Anatomy, Audience’ Journey | Premium STEP OUTLINE attributes Author, Copyright holder | Premium PITCH attributes Genre, Audience, Similar to …, Period setting, Synopsis, Blurb in the STEP OUTLINE section
November: Set Project Permissions (Premium) | Guest mode shows all features
May: Copy projects to create versions or drafts of stories (Premium) | Revised Tour
April: Export .rtf text documents (Premium) | Reorganisation of FREE feature set | Referral function
January: New servers (more…)
Beemgee has come a long way. The features so far:
- FREE registration: Log into your account with your e-mail address and password.
- My Stories: Unlimited number of projects.
- Tour: Turn the guide to Beemgee’s basic functionality on or off at your leisure.
- Context-Sensitive background information on aspects of storytelling | ? |: On-site explanations and advice about each specific aspect of story development.
- “More About …” Buttons: Context-specific links to in-depth articles on each specific aspect of story development.
- Retractable Tool-Bar: Keep your workspace uncluttered by closing the tool-bar.
- Autosave: Project saves automatically after every change.
- Simple-Share: Share your story with your co-author, editor, producer, etc. (Attention: Working on one project simultaneously from several devices may lead to input loss – Beemgee always saves the newest version of the project).
- Work Offline: Continue working on your project even if you lose the internet connection (free features only) – the project will sync when you are back online.
- Language Switch: Use the tool in English or German.
- Premium Registration: See and adjust your account and billing information.
- Copy stories to create versions (drafts).
- Permissions: Set a project to private, view-only, or can edit.
- Detail Views: See detail views of character sheets, pot events, and your step outline.
- Export PDFs: Character Sheets, Plot, Step Outline, Project – with selections for narrative/chronology, all attributes or input only, etc.
- Export RTF text files to re-import in writing software for treatments or as manuscript document.
UPDATE: The winner is … Call for story outlines by Beemgee, Ink-it and CONTEC México 2017.
This is Yolanda Prieto Pardo, whose story outline LOS ALTOS VUELOS DE JOSEFINA was chosen in the Fiction without Friction contest we ran with Contec México and Ink it. She has won a lifetime subscription to Beemgee Premium. Furthermore, our friends at Ink it will publish the novel online all over the world in 85 countries.
The CONTEC/Beemgee “Fiction without Friction” call for stories
Many innovations relevant to authors of stories and “content” apply to publication and distribution. However, digital aids can also help creators right from the moment they have their first ideas.
With Beemgee.com, fiction authors have a tool that helps them organize their plots and develop their characters. When it comes to pitching the work to a publisher, a Beemgee project provides a powerful supplement to the traditional exposé.
For publishers and other content disseminating organizations, Beemgee is a new tool that increases productivity during the evaluation process and considerably improves the workflow between author and editor/producer/publisher.
To showcase this new approach, CONTEC and Beemgee are running a call for stories, which the ebook platform ink-it is supporting.
Turn your story into a book for sale in over 40 online stores! (more…)
From the point of view of one of the founders.
I’m Olaf. Despite my name, I’m British, but I moved to Berlin in the 90s. Until a couple of years ago I worked for big German publishers. Like (I suspect) many people in publishing, I harbored the secret desire to be an author. Such was my ordinary world.
One day I met my friend Amos for coffee. He is a filmmaker, and we spoke about a movie he was working on as well as the novel I wanted write. We discovered that we knew of no online tools conceived to help authors structure and outline their plots. This was the inciting incident for my own story.
After I had spent a few days ruminating, I noticed that I had a clear idea of what I expected of an outlining tool. So I started researching what was on the market. And I found … nothing. At least nothing that came close to what I saw in my mind’s eye.
So I went to Robert, whom I knew professionally and respected for his integrity and acumen. I told him I was thinking of a web-based software for authors, but that I would only conceive it if he would be my partner.
To my delight, he needed merely a few days to agree. Our journey had begun. (more…)
Blogposts and articles about Beemgee:
20.11.2019 | Global Thrive | Some Secrets of How To Compose a Great Story
25.10.2019 | Die Größte WG Der Welt | Die Moderne Art Von Storytelling: Podcast-Interview mit Beemgee Gründer Olaf Bryan Wielk
18.10.2019 | The Bookseller | Q&A with Beemgee Founder Olaf Bryan Wielk
11.09.2019 | Socius | SOCIUS labor Bericht: Digital Storytelling – Persona-Entwicklung
20.02.2019 | The Tempest (Autorenforum.de) | Autorenwissen: “Das Autorentool Beemgee – wirklich besser schreiben?” von Antje Tresp-Welte
27.07.2018 | The Writing Platform | Screenshots: Beemgee
25.05.2018 | Jessica Halermoeller, BoD Fingerprint | Schreibwettbewerb “Dein Perfekter Plot”
30.12.2017 | Berliner Zeitung | Auch Magie braucht Struktur (more…)
Welcome to the Beemgee blog.
This blog is about storytelling and story development. We examine how fiction works and what stories really consist of, concentrating especially on plot and character development. Many of the posts are inspired by functions and features of our outlining software. It’s all about the craft of creating stories. (more…)
There is a craft to storytelling.
Much of the craft behind fabulation has to do with structuring the story being told, the construction and organisation of its narrative. Many authors design this construction first, before filling the first page with text. The process of planning how the story works is known as outlining.
There are significant benefits to outlining. For one thing, going through this process usually entails fewer rewrites later. When the author knows the direction of the storyline, it is easier to keep all its threads under control while writing. Without this direction, there is a danger of losing the plot half way through.
Stories have structure. (more…)